Tuesday, September 15, 2015
Stillborn - Sylvia Plath
The first time I read it and paid attention solely to the subject matter, it became evident that Plath details the growth of a fetus and birth of a stillborn child as an allegory for her sentiments on her own writing. In the way that a fetus develops suitably for life ("They grew their toes and fingers well enough, / Their little foreheads bulged with concentration") so do her poems, yet the finished product is lifeless and she feels like a bereaved mother. I definitely relate (as do all writers really); sometimes we'll create something that seemed right and promising, except when we're done we'll realize that it's not compelling or it doesn't achieve what we want it to, and we don't know why. Plath is confessing the frustration and despair of failing at her passion (like a singer that has lost their voice) yet structurally, the poem is composed and organized and does not directly reflect the anguish she feels with choppy stanzas or cacophony for instance, except for the last stanza where she uses enjambment to isolate the words that explicitly depict her hopelessness. The tone this structure produces when read, especially out loud, is melancholic as well.
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This is a really through analysis of Plath's conceit, and your writing is very fluid and understandable. I like how you use a lot of the diction of childbearing to elaborate on the subject matter. I didn't know what a cacophony and I had to look it up but now I know and the label fits the poem very well! I also hadn't tried paying attention to the tone of the poem out loud and it does sound more melancholic, although I had interpreted it as distant and cynical.
ReplyDeleteI like this poem because Plath is so negative toward her poetry that didn't work, but she uses that disappointment to create a poem that does work. Her conceit is vivid and painful to us, which is why she succeeds in forcing us to feel her anguish.
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